28 Italian Songs & Arias - Medium Low Voice (CD accompaniment only)
28 Italian Songs & Arias of the 17th and 18th Centuries ├óΓé¼ΓÇ£ Medium Low Voice
Diction Lessons and Accompaniment CDs
Series: Vocal Collection
Publisher: G. Schirmer, Inc.
These handy CDs provide diction lessons along with professionally-recorded accompaniments to each piece in the matching folios of the same name.
For well over a century, the G. Schirmer edition of 24 Italian Songs & Arias of the 17th and 18th Centuries has introduced millions of beginning singers to serious Italian vocal literature. Offered in two accessible keys suitable for all singers, it is likely to be the first publication a voice teacher will ask a first-time student to purchase. The classic Parisotti realizations result in rich, satisfying accompaniments which allow singers pure musical enjoyment. For ease of practice, carefully prepared accompaniments are also available that were recorded by John Keene, a New York-based concert accompanist and vocal coach who has performed throughout the United States for radio and television. Educated at the University of Southern California, Keene has taught accompanying at the university level and collaborated with Gian Carlo Menotti and Thea Musgrave on productions of their operas.
The Veni Vidi Vici Suite pays homage to the composer's late father, James (Pappy) Creider, who was the ground crew chief for the B-17F bomber, Veni Vidi Vici, for its 32 missions while stationed at Knettishall Air Base in England with the 562nd Squadron of the 388th Heavy Bomb Group of the 8th Air Force. The suite consists of 4 movements. Played together these movements meld together as one piece. But each movement can be played as a standalone as well. The target audience for this suite includes, but is not limited to, high school bands, university bands and community bands. Running time for the entire suite is 19:39.
This narrative song is a re-telling of the story of David and Goliath from 1 Samuel: 17. It describes the wonder of the crowd, marveling first at what they regard as the impunity; and later at the bravery of David as he kills the Philistine giant. Edwards's setting employs both rhythmic and harmonic choral ostinati and intersperses David's calm reasoned statements with the mutterings and exclamations from the crows as they observe the scene.