Traditional - Good King Wenceslas, arr. Lucyanne Gordon for Treble Chorus
Traditional - Good King Wenceslas, arr. Lucyanne Gordon for Treble Chorus
A Beloved Christmas Carol — For Treble and Women's Chorus
"Good King Wenceslas" is one of the most cherished carols of the Christmas season, its stirring narrative of royal generosity and winter charity beloved by audiences of all ages. Based on a medieval poem set to a 13th-century spring carol melody, it has been a staple of holiday choral programming for generations.
This edition presents the carol in an arrangement by Lucyanne Gordon for treble and women's chorus, crafted with the idiomatic clarity and expressive warmth that characterize all of Gordon's work for treble voices. Whether performed by a high school choir, collegiate women's ensemble, or community chorus, this arrangement brings festive energy and seasonal joy to any holiday concert program.
Performance Highlights
- One of the most beloved carols of the Christmas season
- Arranged by Lucyanne Gordon for treble and women's chorus
- Festive, accessible, and ideal for holiday concert programming
- Suitable for high school, collegiate, and community women's choruses
- Digital PDF download — print-ready score included
About the Arranger
Lucyanne Gordon holds a BM in Music Education from SUNY College at Fredonia, a Masters in Choral Conducting with an emphasis in Vocal Performance from Bowling Green State University, and a Doctorate of Arts from the University of Northern Colorado with secondaries in Vocal Performance and Theory/Composition. She served as Interim Director of Choral Music Education at the University of Northern Colorado in 2008–9, teaching choral methods and conducting, and directing the UNC Madrigal Singers and the 100-voice Women's Choir. Currently, she teaches voice and choir at Nardin Academy High School in Buffalo, NY, where the Nardin Academy Choir — composed of students in grades 9–12 — has earned a Gold with Distinction award at the highest NYSSMA difficulty level for three consecutive years. Her arrangements and compositions arise from a desire to expand the quality repertoire available for treble choirs.